Dual coding is a study technique where you represent the same idea in two forms, words and a visual, and connect them. You read about the water cycle, then draw it with arrows and labels in your own words. Later you can recall it through either route: the explanation or the picture.
The idea comes from psychologist Allan Paivio's dual coding theory, which proposes that the mind handles verbal and visual information in separate but linked systems. Richard Mayer's research on multimedia learning later showed that well-designed words-plus-pictures teach more than words alone. The catch is "well-designed": a decorative doodle does nothing, and a cluttered page can make learning harder.
This guide covers the theory and evidence, why dual coding is not the same as "visual learning styles", examples for different subjects, a worked set of dual-coded notes, and a routine you can use today.
What is dual coding theory?
Paivio set out dual coding theory in his 1971 book Imagery and Verbal Processes, building on his memory experiments of the 1960s. It proposes two systems for representing knowledge:
- A verbal system for words and language: the word "dog", a definition, a sentence.
- A nonverbal (imagery) system for pictures, shapes, and spatial layouts: the image of a dog, a map, a diagram.
The two systems are connected. Hearing "dog" can call up an image, and seeing a dog can call up the word. Information stored in both systems has two ways to be retrieved, so it's more likely to be remembered.
The theory grew out of findings that are still taught today:
- Concrete words are remembered better than abstract ones. "Button" is easier to recall than "bound", because you can picture it.
- Pictures are remembered better than words. This is the picture superiority effect. Paivio and his colleague Csapo argued that the verbal and image codes have independent, additive effects on recall.
For studying, the practical message is simple: when you add a visual that genuinely shows the same idea, and connect it to the words, you give yourself a second way back to the memory.
What does the research say about dual coding?
Words with pictures beat words alone
In 1991, Richard Mayer and Richard Anderson showed college students with no mechanical background an animation of how a bicycle tire pump works. Students who heard the explanation while watching the animation did better on problem-solving questions about the pump than students who heard the words before the animation, saw the animation without words, or heard the words without the animation. The authors read this as support for dual coding: learning improves when verbal and visual representations are built and linked at the same time.
That study became one of the foundations of Mayer's cognitive theory of multimedia learning. In a 2024 review, Mayer summarized its core ideas: people have separate channels for verbal and visual information, each channel has limited capacity, and meaningful learning means selecting the relevant material, organizing it, and integrating the words and pictures with what you already know.
Keep words and pictures close together
Paul Ginns's 2006 meta-analysis of 50 studies looked at what happens when related words and pictures are placed close together in space (labels on the diagram rather than in a legend) or in time (explanation during the animation rather than before it). Reducing that split attention produced substantial learning gains, especially for complex material.
Drawing it yourself helps memory
Making the visual yourself seems to add something extra, much as producing an answer beats reading it (the generation effect). In seven experiments, Jeffrey Wammes and colleagues found that people remembered words they drew better than words they wrote out, and the benefit wasn't fully explained by deeper processing, visual imagery, or the picture superiority effect alone. In a 2023 classroom study with 145 students in an introductory biology course, Jalava, Wammes, and Cheng asked students to either draw or copy definitions of course terms. Drawn terms were recalled better one week later, and the advantage was still there at three weeks.
Where the evidence is weaker
Dual coding isn't magic, and two limits matter:
- More visuals can mean more load. Weinstein, Madan, and Sumeracki note in their review that every extra representation adds to cognitive load and can overwhelm learners, and that memorable but irrelevant content can hurt learning of the main ideas. One clear diagram beats five decorative ones. See cognitive load theory for why.
- Mental imagery alone is limited. When Dunlosky and colleagues reviewed study techniques in 2013, they rated "imagery use for learning text" (picturing what you read) as low utility, because the benefits were mostly limited to imagery-friendly material and memory tests. Drawing and diagramming are more active than imagining, but the lesson carries over: dual coding pays off most when the content has a structure you can actually draw.
You may also see a claim that adding pictures raises recall from 10% to 65%. We couldn't trace that figure to a study of students learning course material, so don't plan around it.
Is dual coding the same as being a visual learner?
No. Dual coding says that combining words and visuals helps learning in general. The "learning styles" idea says each person learns best in a preferred mode (visual, auditory, or kinesthetic), so teaching should match it. A 2008 review by Harold Pashler and colleagues found no good evidence for that matching; our learning styles myth article covers the details.
The practical upshot: a labeled diagram of the heart helps a self-described "auditory learner" too. Don't skip dual coding because you think you're "not a visual person," and don't rely on it alone because you think you are.
Dual coding examples by subject
The visual should match the structure of the idea. A process wants arrows; a sequence wants a timeline; a comparison wants side-by-side columns.
| Subject | Idea | Visual that fits |
|---|---|---|
| Biology | Cellular respiration | Flowchart: glycolysis → Krebs cycle → electron transport chain, with ATP counts on the arrows |
| Anatomy | Blood flow through the heart | Labeled heart diagram with numbered arrows |
| History | Causes of World War I | Timeline from 1870 to 1914, with long-term causes above the line and the July Crisis events below |
| Chemistry | Exothermic vs endothermic reactions | Two energy diagrams side by side |
| Economics | A tax on a good | Supply and demand graph showing the shift and the new price |
| Physics | Forces on a block on a slope | Free-body diagram with labeled arrows |
| Math | Fraction equivalence | Area model: ½ and 2⁄4 shaded on the same-size rectangle |
| Literature | Relationships in a novel | Character map with labeled connections |
| Languages | Prepositions of place | Small sketches of a box and a ball for in, on, under, next to |
Common formats worth having in your toolkit: timelines, flowcharts, cycles, labeled diagrams, graphs, comparison tables, concept maps, and mind maps. If you want a reference map to check your own drawing against, an AI mind map generator can build one from your notes. For anatomy-heavy courses, see how to study anatomy.
Worked example: dual-coded notes on blood sugar control
Here's how to turn a paragraph of notes into dual-coded notes.
Words only (your lecture notes): When blood glucose rises after a meal, beta cells in the pancreas release insulin. Insulin helps muscle and fat cells take up glucose and helps the liver store it as glycogen, so blood glucose falls. When blood glucose drops between meals, alpha cells release glucagon, which makes the liver break down glycogen and release glucose, so blood glucose rises again.
Step 1: Find the structure. This is a balance: two opposite responses pulling toward one target level. That suggests a horizontal "normal" line with one loop above it and one below.
Step 2: Sketch it. Draw a horizontal line across the middle of the page. Above it, draw the "after a meal" loop: an up arrow, the pancreas, insulin, the muscle and liver, then an arrow back down to the line. Below it, mirror the loop for fasting: a down arrow, the pancreas, glucagon, the liver, then an arrow back up.
Step 3: Label it in your own words, right on the drawing.
| Part of the sketch | Words you write beside it |
|---|---|
| Horizontal line | Set point: normal blood glucose |
| Up arrow above the line | After a meal, glucose rises |
| Pancreas, top loop | Beta cells release insulin |
| Arrows to muscle and liver | Cells take up glucose; liver stores it as glycogen |
| Down arrow below the line | Between meals, glucose falls |
| Pancreas, bottom loop | Alpha cells release glucagon |
| Arrow out of the liver | Liver breaks down glycogen and releases glucose |
Step 4: Explain it once, out loud, pointing at each part. If you stumble ("wait, which cells make glucagon?"), fix the label.
Step 5: Tomorrow, cover it and redraw it from memory. Then compare with your original and correct it in a different color. This is where most of the learning happens, because you're retrieving both the words and the structure.
Notice that the sketch shows something the paragraph hides: insulin and glucagon are mirror images around one line. That's the structure an exam question about "what happens in type 1 diabetes?" expects you to reason with.
Common dual coding mistakes
Decorating instead of explaining. A picture of a cell next to a paragraph about mitosis isn't dual coding unless the picture shows the stages. Ask: does this visual carry information the words describe?
Copying the textbook diagram. Copying is slow and passive. Redraw a simplified version from memory after studying the original, then compare.
Separating labels from the picture. A numbered diagram with a key at the bottom makes your eyes jump back and forth. Put the words on or next to the part they describe.
Cramming everything onto one page. If a visual needs 30 labels, split it into two or three smaller ones. Remember the load problem.
Forcing visuals onto material without structure. A list of vocabulary words doesn't need a flowchart; use flashcards and spaced review instead. For a long list you must recall in order, try a memory palace for long lists, which puts imagery to work along a familiar route. For an abstract idea with nothing to draw, concrete examples often work better than a forced diagram.
Never testing yourself. A beautiful set of visual notes that you only reread works like any other rereading. The benefit comes when you reproduce it from memory.
How to use dual coding in a 20-minute study session
- Read or review one section (5 minutes). Mark the one idea that has a structure: a process, a sequence, a comparison, a set of parts.
- Choose the visual (1 minute). Process → flowchart. Sequence → timeline. Parts → labeled diagram. Comparison → two columns or a Venn diagram. Change over time → graph.
- Draw and label (8 minutes). Use simple shapes and arrows. Write labels in your own words directly on the drawing. Use color only for meaning (for example, red for inputs, blue for outputs).
- Explain it aloud (2 minutes). Walk through the drawing as if teaching someone. Each arrow should have a "because."
- Close your notes and redraw it (4 minutes). Then check and correct. Next session, start by redrawing it again before you look at anything.
That last step turns dual coding into active recall. You can also put the visual on a flashcard: a diagram with one label blanked out, or a blank outline with "Draw the pathway." Our guide on how to use flashcards effectively covers image cards.
Frequently asked questions
What is dual coding in simple terms?
Dual coding means learning something in two forms at once: words and a picture. For example, you write a short explanation of the water cycle and draw it with labeled arrows. Because the idea is stored both verbally and visually, you have two routes to remember it, and drawing it forces you to understand how the parts connect.
Who created dual coding theory?
Psychologist Allan Paivio set out dual coding theory in his 1971 book Imagery and Verbal Processes. He proposed that the mind has separate but connected systems for verbal and nonverbal (imagery) information. Richard Mayer later built on it with research on how words and pictures together affect learning, which became the cognitive theory of multimedia learning.
Is dual coding the same as visual learning styles?
No. Dual coding is about combining words and visuals for everyone. Learning styles claims each person learns best in one preferred mode. A 2008 review by Pashler and colleagues found no good evidence that matching teaching to a learning style improves results. Well-chosen diagrams and timelines help almost all learners, whatever their preference.
Does drawing help you remember?
Yes, in the research so far. In seven experiments, people recalled words they drew better than words they wrote. In a university biology class, students who drew definitions of course terms recalled them better than students who copied the definitions, and the advantage lasted at least three weeks. Your drawings don't need to be good; they need to show the idea.
What are examples of dual coding?
Common examples include a labeled diagram of the heart, a timeline of historical events, a flowchart of a biological pathway, a supply and demand graph with a written explanation, a free-body diagram in physics, and image-based flashcards for vocabulary. Each pairs a visual of the idea's structure with words that explain it.
Does dual coding work for every subject?
It works best where ideas have structure you can draw: processes, sequences, parts of a whole, comparisons, and changes over time. That covers most of science, history, economics, and anatomy. It helps less with arbitrary facts, such as vocabulary or dates without a pattern, where flashcards and spaced repetition do more.
Sources and further reading
Start with the primary research and official guidance below. Links open in a new tab so you can compare the evidence with the article.
- Read source
Dual coding theory: Retrospect and current status
Paivio, Canadian Journal of Psychology, 1991
- Read source
Teaching the science of learning
Weinstein, Madan & Sumeracki, Cognitive Research: Principles and Implications, 2018
- Read source
Animations need narrations: An experimental test of a dual-coding hypothesis
Mayer & Anderson, Journal of Educational Psychology, 1991
- Read source
The past, present, and future of the cognitive theory of multimedia learning
Mayer, Educational Psychology Review, 2024
- Read source
Integrating information: A meta-analysis of the spatial contiguity and temporal contiguity effects
Ginns, Learning and Instruction, 2006
- Read source
The drawing effect: Evidence for reliable and robust memory benefits in free recall
Wammes, Meade & Fernandes, Quarterly Journal of Experimental Psychology, 2016
- Read source
Drawing your way to an A: Long-lasting improvements in classroom quiz performance following drawing
Jalava, Wammes & Cheng, Psychonomic Bulletin & Review, 2023
- Read source
Learning styles: Concepts and evidence
Pashler, McDaniel, Rohrer & Bjork, Psychological Science in the Public Interest, 2008
